February 8, 2012

Music Education Opportunities

There are an unlimited amount of careers available in the field of music. Most people think that all you can do with music is be a high school band director or become a famous singer, but they’re wrong. There are so many things that go beyond teaching music or becoming famous. If you enjoy music and want to make a career out of it and don’t know how, here are a few examples of what you can do, aside from the ordinary.

There are many careers in the field of writing and production. When you think of the word ‘composer’ you might think of classical composers such as Mozart or Beethoven, but there are modern day composers, too. Many composers today write music for movies or television shows. If composing isn’t for you, you might consider being a producer, where you would supervise the process. You may consider conducting, where you would arrange performances and present the music intended for that program.

Aside from the basic music educator, such as an elementary or high school teacher, there are many other types of music educators. Opportunities present themselves in the form of teaching more advanced students such as college students. If you are big into music this may be something for you. You can also make a career out of being a private instructor where you would have one on one training with your students. Another career in music education is a music therapist. Music therapists use music to help heal, relieve pain, or provide emotional comfort to their patients. People like this may work freelance, in hospitals, correctional facilities, etc.

If you are considering making a career out of music, there are endless possibilities. There’s a variety of training and types of careers in the music field. If this sounds like something you would like to do, then begin researching because there’s so much out there and you don’t know what you might find.

Working as a Private Music Instructor

There are many interesting jobs that can be found in the music field. Some people get stuck when it comes to music careers. They are not quite sure what they want to do. Should they teach? Should they compose music? A great area to go into is teaching private lessons.

Being a private instructor is a great idea for someone looking into making a career out of music. You are able to set your own schedule as well as set your own lesson fees. You get to interact with people that share the same passion that you do. Plus you can teach whatever type of music you enjoy rather than teaching a wide variety of subjects.

Normally private lessons can range from a half an hour to an hour. What to charge a person for lessons vary from place to place. Do your research and compare your rates to those of places in your area. Make sure that the price you charge is worth your time, but also affordable for your students.

When working as a private instructor you can either work at a school of music or run your own studio. Both are great opportunities, but you have to decide what you want to do. You can always begin working for someone then decide you want to be your own boss and create your own studio.

There’s also a variety of people you can teach. You can teach beginners, people with no musical background. You might teach intermediate students who may have learned music before but are learning a new instrument. Or you may teach advanced students such as upper level high school students or college students.

Teaching private lessons is great for people who have a musical background and enjoy playing music. If you are passionate about music, this might be something you would enjoy.

Music and Psychology

Sketch of Søren Kierkegaard. Based on a sketch...
Image via Wikipedia

It’s a favored song, remembered from childhood, abandoned by the radio over a decade ago; but it appears now, shivering out from the static, offering a familiar delight. And you find yourself… singing in the car. This is an unexpected occurrence. You are forever reserved, kept tamed to the silence of your thoughts. But now you ignore your accepted ways, tossing them aside for the sake of a melody. You shriek out laughter and uneven words, recalling lyrics you have not heard for too many years to count. They are still known, however. They are still recognized. And you feel far happier than you did mere minutes ago.

The power of music (its impact on emotions, logic and gestures) has forever been understood as important. Sounds can summon immediate memories and sensations. But, though this is agreed upon by many, it is understood by few. And so it must instead be studied.

Musical Psychology is therefore necessary.

As its name explains, Musical Psychology is the exploration of the effects that music can have on the mind and body. It seeks to find proof of the correlations between lyrics and feelings, and wishes to learn of societal expectations. Research is offered to a variety of issues, such as: the influences of peers on song selection, the way individuals perceive sound, the importance of ceremonies and music and why a certain few can master instruments without any technical training and others cannot. Through these questions the human condition can be better explained.

Some doubt this, however. They believe that Musical Psychology is little more than a futile effort, trying to force solemn studies into what is meant to be simple symphonies. Instead, though, it shows the evolution of cultures through their changing instrumentals and offers insight into why certain sounds trigger emotional responses. It is a broad form of education that has several purposes – and each of those is vital.

Music is more than a pastime. It is instead tangled with every single moment in our lives.

Enhanced by Zemanta

A Classic Education: Music

Gil Shohat
Image via Wikipedia

There is silence in the corridors, the aborted lyrics and forgotten notes – abandoned in the wake of shrinking budgets and failing relevance. Music is deemed unimportant, unable to be sustained in classrooms already filled to the essential geometry, the study of prose. It is thought to be an annoyance, considered a burden of time and profits. Education has no place for sounds, it’s argued. It must instead be devoted to facts and vital figures. And children are denied their instruments, left instead only to their paper and pens.

The quiet is stifling.

Classical music, despite the stigmas too long attached to it, is more than a mere hobby. It is not meant for those seeking pretense. It is not a futile effort. It is instead a necessary part of every curriculum and, without it, children are refused skills that will follow them throughout their lives. The advantages are many and obvious. The denial is a tragedy. And it must be rectified.

An education infused with music offers:

1. Analytical skills. While too many dismiss instruments as little more than idle pastimes, the truth is that they stimulate the brain’s cognitive functions. Mastery of music leads to a deeper understanding of mathematics and advanced thinking – due to quarter notes and their relations to fractional symbols. The transitions become easy from lyrics to logic.

2. Languages. The roots of classical music are found throughout the world and learning them offers a broad introduction to Italian, French, German, Latin and other influences. Translations lead to knowledge.

3. Esteem. No child can succeed when burdened by self-doubt and hesitation. Without the more accessible talents (such as pristine academics or athleticism), he or she may find themselves uncertain of their own worth. Music, however, offers an alternative. It provides an immediate reward and a skill that can be proven with every note. It’s an affirmation and that is vital.

Classical music is often rejected, believed to be an excess that cannot be afforded. It must, however, be provided to schools to ensure that every child can experience all it has to offer.

Enhanced by Zemanta

The Unexpected Correlation: Classical Music and Athleticism

Woodwind musical instruments from the Baroque ...
Image via Wikipedia

It is the most unlikely of sights: a child stands, slight and unassuming. He is defined as unremarkable by his peers, chosen last in all games (not because he is hated but simply because he is forgotten). He is not the common perception of an athlete. He lacks the necessary form, the muscles barely contained beneath his sleeves, the speed recognized in every motion. There is nothing to recommend him. There is nothing to perceive. He is ordinary by all standards… until he shatters those standards with coordination and strategy.

Not every child can be blessed with the ability to throw perfect spirals or bear the slam of skin to skin while tackled. Strength is not a trait passed among the masses. It’s instead fickle. It is not, however, always needed to become a better sportsmen. Music instead can be the unexpected ally.

Those who understand notes and melodies will find themselves with more than the ability to play an instrument. They will instead discover new advantages with games. Athletes can be made through songs and a classic education can become a great aid.

1. Motor skills. Instruments demand precision. No clumsy hands or weak fingers can master them; and this translates into an advantage on any field. Children who are classically trained will find their coordination improved and sports more easily played.

2. Breathing techniques. Those who practice with wind selections (such as flutes, cornets or clarinets) have quickly learned the importance of breathing. Air is precious and must be given carefully, with each moment dedicated to offering only the purest of sounds. And such techniques apply well to sports. Exertion can be decreased and exhaustion can be avoided. Stamina instead will be discovered.

3. Logic. Music is more than an art. It is instead a machination. It must be studied and understood – and this requires highly developed analytical skills. Such skills can then be transfered to the field, with plays and strategy made quickly.

A classical education provides more than the expected elegance. It instead allows a child to meet the demands of games and succeed.

Enhanced by Zemanta

Understanding the Suzuki Method: Classical Training

A Trio of Suzuki Kids
Image by Scuddr via Flickr

The years have been defined to music, to the comprehension of sounds and their tangling. The world is filled to the study (and application) of notes; and countries have shaped their beliefs to what their cultures demanded – history, religion and social truths have formed techniques. And these techniques, however ancient, are still followed today: such as the Suzuki Method.

Established in the mid-20th century by self-taught violinist Shinichi Suzuki, this practice offered a sharp contrast to its contemporary rivals. The purpose was not to craft masters of music (and force endless competitions and jealousies). It was instead to ensure that all children, no matter what their circumstances or class, could learn the basics of sound. Its teachings promoted diligence and repetition, with an environment tailored for comfort. Young students were offered instruments that were scaled to their small hands; all lessons were given in their native language, rather than forcing the usual translations; and they were exposed to the classical genre’s most innovative composers. This enabled them to comprehend the potential of what they were being taught, as well as defining it in terms they could recognize.

And through this Shinichi Suzuki offered an educational experience like no other. Rote learning was used to ensure understanding, with the objective of providing the simple benefits of playing. This was not a battle of compositions. This was instead made into an easy experiment.

There are, of course, those would claim that the Suzuki Method is invalid. Criticisms arise from its emphasis on repetition and lack of individualism. Students are meant to learn through constant practice rather than true acknowledgment of the material. This has led several institutions to refuse its usage, believing that it is more of a detriment than an aid.

Even with these detractors, however, it still remains a popular methodology and a worthy alternative to the more strenuous techniques. Its allowance for young bodies and inquisitive minds marks it a favorite of primary schools and those seeking a classical music education.

Enhanced by Zemanta

Classical Music Discovered: National Awareness

NASFAA 2008 National Conference
Image by Christopher S. Penn via Flickr

It was once the easy assumption: school corridors echoed with the sound of classical music, the perfection found from patience. Students were encouraged to understand the past through melody, sampling cultures through their notes. Languages were translated. Theatricality was created. And education was encompassed by far more than books. It was instead inventive.

Now, however, such invention is gone. The once common standards have fallen and music has been tossed away; an accepted loss for the American public. Money is offered to more popular programs (such as athletics) and classical rhythms have faded.

This is not acceptable.

And the The National Association for Music Education seeks to challenge it, wishing all students to experience the values of songs and symphonies.

Often called the MENC (referring to its original name of the Music Educators National Conference), the National Association has defied the notion that a classical experience is without value. It has instead campaigned for schools to reinforce their former standards and allow every child to take part in classical music. And, with representatives found in all 50 states, MENC has proven to be successful; if only for raising awareness and creating the necessary requirements.

Supporting lessons that emphasize training and genuine effort, MENC has offered nine traits that must be passed between students and teachers; each meant to turn the concept of classical music into a reality:

1. Singing.

2. Instrumental awareness.

3. Improvisation and creativity.

4. Arrangement and composition.

5. Understanding music and its meanings.

6. Comprehension of sound.

7. Criticism of performances.

8. Understanding the value of music in other mediums.

9. Historic relevance.

Through these traits individuals will be able to learn more than simple notes. They will instead be able to grasp the true value of music and how it applies to world. These standards, when properly utilized, ensure that students are given the opportunity to both create and evaluate. It offers sense with the satisfaction.

MENC has not yet fulfilled its goals of an all-encompassing education. It has, however, seen some of its demands slowly (but diligently) met. Classical music will survive and eventually flourish.

Enhanced by Zemanta

Shaded Sounds: Classical Music

NEW YORK - SEPTEMBER 11:   Famed violinist Itz...
Image by Getty Images via @daylife

It seems too common a thing – a child sits sullenly in his room, staring at the dull pages, the notations he must learn. They do not impress, no matter what sounds they may lead him to. They do not appeal. They instead only tire, forcing yawns and complaints. He wants nothing of their meanings. He craves nothing of their time. He wants instead to simply leave, to ignore the tedium of practicing. Classical music is a companion he does not wish to have.

Children are fickle creatures. They are not shaped to patience but instead to ever-changing fascinations; and trying to force instrumental comprehension upon them is a campaign too many parents lose. Education is considered dull; diligence is thought to be wicked. And every day becomes a battle of weary wills.

Despite its bleak appearance, however, that battle can still be won. All lessons can be learned and all sounds can be mastered. They simply need to take more appropriate (and appealing) forms: through color.

Colored music notation, as its name implies, is a strategy used to bring interest to the typically monochromatic symbols children are faced with. Classical sounds are shaded to attract the attention of students, stimulating their minds and calming their restlessness. It has long since been theorized that different hues can generate different emotional responses – vibrancies like red or orange tend to exaggerate impulses, causing wilder behavior; softer tones like blue and gray, however, allow for a steadier presence.

This philosophy is applied then to music, with specific colors chosen to soothe young personalities and create visual interest for books. Colored music notation allows for new techniques to be highlighted and requirements to be recognized quickly. It’s effective for those just beginning and allows for a more comprehensive teaching method.

Some doubt the validity of this, believing it creates too much of a reliance on color instead of understanding. Youths, however, have responded well to the concept and have been able to learn through variety, rather than repetition. It is a new approach to classical music.

Enhanced by Zemanta

How Useful Are Accredited Online Degrees?

If you want to improve your chances of getting a more lucrative job, and maybe even the corner office, you need more education. You don’t know how you can afford to go back to school or when you’d fit classes into your already full schedule. Instead of looking for solutions, you continue to go about the drudgery of doing a job that you really don’t like. You sit at your desk and think about how you could be a virtual encyclopedia of knowledge in your field, if given the chance. You imagine your super cool office with the sound system playing classical music or better an office with a live band playing classical music. But you need a degree first before these classical music dreams can come true.

Hundreds of universities worldwide offer online degrees. Thousands of companies offer accredited online degrees from universities. For a prospective student, the lure of a less costly degree competes with the fear that an online degree will be useless in the real world. So, it’s important to know how useful online degrees can be, especially for someone who wants to accumulate a great deal of knowledge on a given subject, enough to be considered a sort of one stop reference.

A good online degree from a quality university is practically as good as a traditional degree. In fact, almost the same courses are taught online as in the classroom. You usually have to do the same coursework, write the same papers, and study the same books. The same stuff that makes a regular degree holder have a reference-like knowledge on a given subject is also taught in an online course.

Students, too, find it cheaper and easier to work online degrees around their schedule. You can still develop a vast amount of expertise, enough to be consulted as a source of reference on a subject, while holding an online college degree. And someone with your depth of knowledge certainly deserves that corner office.

Enhanced by Zemanta

SAT Prep Course Confidence

You studied for hours. You played classical music all day long because you read it would make you smarter. You need to do well to get into college to study classical music. You begin wondering if an SAT prep course is for you.

Winning a slot into a college requires a good score on the SAT (formerly known as the Scholastic Aptitude Test or Scholastic Assessment Test). Offered seven times a year, the test scores are a requirement for most accredited colleges and universities during their application process. The other half of the admission process is either graduation from high school or a passing score on the General Education Development (GED) test.

If you plan on succeeding in college, passing the SAT with confidence is a great place to begin. And how do you get that confidence? By enrolling in a good SAT prep course. It is not by chance that people who practice at test-taking tend to do better than those who “wing it.”

Researching and finding the best SAT prep course you can afford is a great way to begin building confidence about your test-taking skills. If you don’t practice taking the SAT, you will probably feel overwhelmed, unprepared, and uncertain during the test. Most skills in life require practice. Only someone far too busy to plan ahead would walk onto a football field suited up for a game without getting into condition or going through training!

Taking the SAT is much the same. The more practice you can get in before the test, the more prepared and confident you will feel. Learn the ins and outs and the pros and cons of the test, and understand why the test is structured the way it is. Know that by enrolling in an SAT prep course you are increasing your chances of scoring well, you are honing your knowledge and test skills, and you are laying the foundation for a great future at a college or university.

Enhanced by Zemanta