February 8, 2012

The Instruments of an Orchestral Woodwind Section

Philharmonic Orchestra of Jalisco (Guadalajara... 

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An orchestra contain four sections; brass, strings, percussion and woodwind. These four parts make up what is referred to as an instrumental ensemble. A full size orchestra will contain about 100 players.

The woodwind section of any orchestra contains instruments that make sound via a reed. This reed will cause the instruments resonator to vibrate as air is pushed into the mouthpiece. A reed is usually made out of a very thinly cut piece of plastic or cane. If a woodwind instrument does not create sound with a reed it will have a sharp edge.

Although the name of the orchestral section is woodwind, don’t let that fool you into thinking every instrument in it is made of wind. Although indeed many are made of wood, there are also instruments made of metal and plastic. Instruments in a woodwind section include flutes and reed instruments.

Reed instruments are divided into the categories of single reed and double reed. Single reed instruments use just one reed to create sound and include instruments such as the clarinet and saxophone. Double reed instruments create sound when air is passed through two reeds which come together at the base. There are two subcategories in the double reed section. These subcategories are the exposed double reed instruments, where the reed sits between the player’s lips, and the capped double reed instruments, which requires the player to blow through a hole in a covering cap. Exposed double reed instruments include the oboe and the English horn. Capped double reed instruments include the cornamuse and crumhorn. Other instruments in this section include the bagpipes and accordion.

 

 

What Makes up an Orchestra

When you visit an orchestra or symphony orchestra you’ll notice that the set up of the stage is In a specific formation. This is because all instruments need to be grouped together based on the instrument family that they are in. Here’s a look at the basic set up of an orchestra or symphony orchestra.

Full Orchestra. To be considered a full orchestra the orchestra must contain at least 30 members. However, most orchestras contain over 90 musicians and members of the various instrument families.

The string family. The string family is divided into two sections. The string family is also known as the main component of the orchestra and has been this way since the 16th century. The first section of the string family includes the violins. The instruments in the second section are basses, violin cellos, and violas.

The Woodwind Family. There are various instruments that are included in the woodwind family. These instruments include bassoons, clarinets, English horns, piccolos, flutes and oboes.

The Brass Family. The brass family includes instruments that are typically made of brass. These instruments include trumpets, horns, tubas and trombones.

The Percussion Family. The Percussion Family is often the largest and most diverse section of the orchestra. This section includes symbols, chimes, as woodblock, bass drums, snare drums and other instruments.

While there are various families of instruments each section fits together with each other and is based off of the crucifix of the center. This allows the instruments to play better as they can hear them play off of one another.

Facts And History on Orchestras

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Classical music is often played by a symphony or an orchestra. While it may feel as if classical music has been around for centuries that is not always the case with symphonies orchestra. Here is a look at the history of symphony orchestras and interesting facts regarding orchestras or symphonies.

Egyptian Influence. Historians have found the first signs of any type of orchestra being formed in ancient Egypt. These signs came from hieroglyphics and showed that the ancient Egyptians may have gathered in groups and played various musical instruments that were native to the area.

Information of Instrument Families. In the 11th century musicians started to separate themselves into musical families that were related to each other. If the musical instrument was similar in nature they form musical families that allowed them to play together and play off of one another.

Development of an Orchestra. It wasn’t until the 16th century that composers started to compose actual pieces with the thought of a combined orchestra in it. Until then composers solely composed pieces for individual instruments and did not combine them to form an orchestra.

The Focus on Stringed Instruments. Due to the fact that many of the instruments are not as they are today many of the composers focus solely upon the string instruments. This means that many of the orchestra music that was composed focus solely upon these instruments. This resulted in the string family are coming the main focus of any orchestra. Even today with all the instruments that are used the string instruments are still considered the main focus of the orchestra.

Ways Experts Identify a Sonata

There are five types of classical music. One of these types is known as a sonata. Musical experts are able to tell a sonata from the various other types of classical music just by listening to the piece of music. That is because sonatas have very distinctive forms of music and are set up in very similar ways. Here’s a look at how the sonata is set up and how experts with a well-trained musical year are able to pick out a sonata from various types of classical music.

The Introduction. Sonatas will sometimes have a small introduction. This introduction is a musical piece that will generally lead into the rest of the music. Sonatas do not require the use of an introduction. However, they are one of the only types of pieces that use this style of music in the beginning.

General Theme. The Sonata will have a generalized theme that is played throughout the song. This will usually start off in a different key that is considered the major key. The second part of the song will continue in a key that is contrasting to the first.

Codetta. This is often used at the end of the Sonata to wrap up the song and solidify into the music listeners mind. This will often repeat a major part of the song or highlight the best parts of the Sonata so the music listener knows what to take away with them.

Similar Themes. Sonatas will have a theme that will be expanded upon in the musical piece. The men are from a different parts there are the same name will always be visited and expanded upon with the many different musical instruments.

By taking these parts and understanding them musical experts are able to identify a sonata from the various types of classical music that is played.

Learning to Play the Harpsichord

The harpsichord is a very common instrument that is used in Baroque and classical music. While many people use another player during the 18th century many people do not know how to currently playing the harpsichord properly. Learning to play the harpsichord has become a lost art in the classical world. Here is an overview of how to properly play the harpsichord if you’re considering learning this lost art.

The first way to learn how to play the harpsichord is to learn how to play the piano or keyboard. Having prior experience in piano or keyboard will allow you to pick up learning how to play the harpsichord. Many people recommend that you have a few years experience with the piano or keyboard before you move on to the harpsichord. Playing these instruments is very similar to each other.

After learning to play on the keyboard or pianos you will be able to progress up to the harpsichord. The difference between the harpsichord and the other instruments is that the keys are more pronounced and require that you push on them harder. Is recommended that when you try to switch between the other instruments and harpsichord you practice pushing on the keys harder.

The hardest problem about playing the harpsichord is that many people tried blind the keystrokes together. Harpsichord need to have each key Bush separately so that the sound is distinct and different from each other. The first lesson you’ll have the harpsichord is learning to play each individual key separately. This allows you to learn how to properly push the keys and blend the sounds together.

Most difficult part about learning how to play the harpsichord is finding a room that will allow you to gain proper acoustics. Without the proper acoustics you’ll not be able to notice if you’re playing the harpsichord properly or not. Many people who are learning the harpsichord will be required to play and a practice room that has the acoustic set up properly.

Mark Teicholz

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Classical guitarist extraordinaire, Marc Teicholz was not only the 1st prize winner of The 1989 International Guitar Foundation of America Competition, he was also the winner in New york’s 1991 ‘East-West Artists competition, the 1986 Paganini competition, and finalist in the 1992 Pro-Musicians competition, as well.

Marc has just released his fourth in a succession of classical CD’s. “CANCIONES” is reflective of Marc’s passion for classical Spanish themes, and features 14 selections exquisitely performed by Teicholz, and featured cellist, Sharon O’Connor for a sublime listening experience. Noteworthy composers Joaquin Malats, Isaac Albeniz, Joaquin Turina, Federico Mompou, Francisco Tarrega, and Manuel de Falla are all honored in this collection. Selections include: “Sevillana Op.29”, “Preludio”, and the lively “La Vida Breve” to name a few.

Teicholz has toured extensively throughout the United States, Canada, Europe, and Asia to critical acclaim for his master classes and recitals. In the mid-90’s, he toured New Zealand, Fuji, the Philippines and Singapore as an Artistic Ambassador for the United States. His career as a soloist has led him to play with orchestras in Russia, Spain, Portugal, Hawaii and California, and his playing reflects the flavors of all these countries in his broad repertoire.

Marc’s previous CD releases, “The Music of Napoleon Coste”, and “The Music of Fernando Sor I and II”, earned him international acclaim for his commitment to precisely playing “the ink” of these notorious composers. He’s recorded for such prestigious labels as Naxos, Sugo, and Menus and Music, as well as recording the pilot soundtrack for George Lucas’ “Young Indiana Jones.”

Currently, Marc Teicholz performs over 60 community concerts a year as part of the quartet “A Festival of Four.” He’s on the prestigious faculty of both The San Francisco Conservatory of Music, and The California State University at Hayward. He graduated Magna cum Laude from Yale University where he received his master’s degree from the Yale School of Music.

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Fabio Zini – The 10 Commandments of the Guitar

Piazzolla and Horacio Ferrer around 1970.
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When he was just eight years old, Fabio Zini’s father presented him with his first guitar. He studied under Santiago Aicardi,and by the age of thirteen, was performing professionally in such venues as Argentina’s renowned “Festival de Cosquin”. During his early developmental years, he studied music at several private conservatories , and took Master classes with Tito Francia, Francisco Gil Baines (Paco), Juan Mehaudi (Poroto) and Julio Rolon.In 1994 he earned a Bachelor’s Degree in Musical Education wit an instrumental major in guitar from Universidad Nacional del Litoral in his home town of Santa Fe, Argentina. By 1995, it was his honor to record with Hector Consolek, the last double-bass player who played with the legendary tango composer Astor Piazzolla.

Originally from Santa Fe, Argentina, Fabio now bases out of Florida. He presents a wide, spicy Latin repertoire that combines Tango-Argentine Folk with Classical Music, and he’s composed several works for the guitar as well as for other instruments. He’s an extraordinarily versatile musician with a multifaceted career, not only as a distinguished composer, but an electrifying performing artist as well. Fabio romances his guitar, and together they dance on stage for a most mesmerizing effect, making him as easy to watch as he is to listen to.

His book, The 10 Commandments of the Guitar, offers ten original compositions written following his invention of the “Zinisterio System”, the first music notation in color for the guitar. It is a fresh approach to musical expression with it’s own original method of teaching, writing, and reading music in color. The soaring spirit of Fabio’s music is sure to capture the listener’s emotions and motivate students to pursue higher levels of performance. In 2007, Fabio released a CD by the same name, and the classical collection includes 12 stunningly captivating arrangements, an assortment of tangos, waltzes, and milongas, all exquisitely performed. The level of his technique blends soft arpeggios, rich chords, and intricate fingering, for a soulful effect that delights audiences here in the U.S. as well as in South America, the Caribbean, Europe, and the Far East.

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Michael Lucarelli-A big fish in an ever-widening classical pond.

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In the first half of 2010, The Cathedral of the Madeleine boasted the completion of its historical renovation by inviting the general public to enjoy some of Salt Lake City’s most impressive virtuosos during a 10-week celebration of performance art. One of the highlights of the series was classical guitarist Michael Lucarelli.

Mr. Lucarelli, a spry, unassuming man dressed in black, strode enthusiastically to his chair amid the enormous altar where he poised over his acoustic guitar as though preparing to lay his most precious gifts at the feet of a divine redeemer. You’d think an esteemed virtuoso of Mr. Lucarelli’s stature would be commanding on the microphone, yet in the humble tradition of so many gifted instrumentalists, he was remarkably soft-spoken and shy.  You could have heard a pin drop as he hunkered above his instrument, and dived into the strings. The notes of his guitar reverberated in the domed acoustics of the Cathedral, liken to the pure sound of a Stradivarius as he played Ave Maria expertly to a packed crowd of1200. The audience was transfixed as he played, then sprang to their feet with thunderous applause.

Michael Lucarelli is an Ohio-born transplant to Utah, a disciplined classical guitarist, composer, and free-form interpreter of popular music. His work is a mainstay at local fundraisers, corporate gatherings, galas, and concerts in the greater Salt Lake area. He’s played for the world athletes at the 2002 Winter Olympics, and in addition to his live performances, has written and recorded many of his own compositions since receiving his Masters of Music degree at The University of Arizona in 1992. Since then, he’s produced and released over 10 musical CD’s, among them, a best-selling Beatles tribute whose proceeds benefited Sir Paul McCartney’s world-wide effort to assist critically wounded children from war-torn countries in the middle-east.

In addition to his music, Michael Lucarelli is an abstract artist whose paintings have been featured in galleries throughout the intermountain area.  In his free time, he’s a yoga-master with his own studio in Holladay, Utah, where he teaches yoga and guitar, and resides with his exotic bride, Shala, and a Doberman named Zeus.

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Choosing a Musical Instrument

The Chinese Musical Instrument Dizi
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If you enjoy music such as classical music, then you may want to join a band or orchestra. There’s no greater feeling than sitting there playing music from your instrument while being able to listen to the great composer’s musical pieces. The first thing you need to do is choose a musical instrument. The hard part is deciding which one will be right for you.

If you are in school, ask an instructor for assistance. They may be able to help you decide what would be right for you to play, based on your musical abilities and physical fitness. A tuba is a very heavy instrument compared to a flute or clarinet.

Listen to different instruments. Attend concerts or orchestras to get a feel for how each instrument sounds. You want to educate yourself on all of the instruments before you make your decision. Borrow some of the instruments from your school or even from a friend that may be in the band or orchestra. You don’t want to make a hasty decision about an instrument only to find out later on that you don’t really enjoy playing it.

You also want to make sure the instrument you want is within your price range. You may be able to borrow an instrument from a school’s musical department, but if you want your own, you will have to check around with different musical shops or even check on the Internet for the best price. A used instrument is often a good deal if you can find one that works for you.

Make sure you know what you are getting into. If you want a social instrument, pick one that could be played in a band. If you would rather play alone, you may want to look into playing the piano.

Before you know it, you’ll be playing beautiful music by great composers such as Bach and Mozart.

How to Play Classical Guitar

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Classical music is a very versatile genre where many instruments can be used to create a classical score. One of the easiest instruments to pick up and play is the guitar, so if you are looking to play classical music yourself the guitar is a good place to start.

The first step is choosing the correct guitar. Classical guitar can often comprise a number of notes played in quick succession, so it is important to make sure you have a guitar that is capable of this. Most classical guitar parts are played on what is sometimes known as a Spanish guitar. These instruments have nylon strings, as opposed to the standard steel, so they make a softer sound and are easier to play, meaning the guitarist can play notes a lot quicker than on a regular acoustic instrument.

The next step is to make sure that you have the guitar tuned correctly. The standard tuning for guitars is E A D G B E, as in the top string is tuned to a low E, the next is tuned to an A and so one. However, many classical scores are made up of alternate tunings patterns. It may be worth buying a book as a reference guide, as well as a guitar tuner if you are not comfortable doing it yourself!

If you have never played a guitar before, it is a good idea to learn some famous songs that you already know such as theme tunes, songs from the radio or even nursery rhymes. You can begin by just playing the melody on one or two strings and once you feel you have the dexterity in your fingers you can try forming chord shapes and pressing multiple strings at the same time. This is also a good technique for more advanced players – if you can play along to an artist like Jimi Hendrix you are ready to start composing your own scores!

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